The Project Gutenberg EBook of Children of Our Town, by Carolyn Wells

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Children of Our Town

Author: Carolyn Wells

Illustrator: E. Mars
             M.H. Squire

Release Date: August 25, 2008 [EBook #26431]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK CHILDREN OF OUR TOWN ***




Produced by Jason Isbell, Christine D. and the Online
Distributed Proofreading Team at http://www.pgdp.net

CHILDREN OF OUR TOWN

BY E. MARS AND M. H. SQUIRE

WITH VERSES BY
CAROLYN WELLS

CHILDREN OF OUR TOWN

CHILDREN OF OUR TOWN
FLYING KITES
BOATS ON THE LAKE
AT CONEY ISLAND
IN CENTRAL PARK
THE FIRST OF APRIL
PLEBEIAN
PATRICIAN
QUARRELSOMENESS
THE ETERNAL FEMININE
WISTFULNESS
KINDNESS TO ANIMALS
A COLD DAY
SKATES
THE EXCURSION BOAT
EVOLUTIONARY FAME
PIETY
WEALTH
THE SKIPPING-ROPE
MUSIC'S MIGHT
A BALL GAME
THE RIVAL QUEENS
LITTLE MOTHERS
OTHER LITTLE MOTHERS
FOURTH OF JULY
THANKSGIVING-DAY
ICE-CREAM

CHILDREN
OF OUR
TOWN

PICTURED BY
E. MARS AND M. H. SQUIRE

WITH VERSES BY
CAROLYN WELLS

PUBLISHED BY
R. H. RUSSELL
NEW YORK

Copyright, 1902, by
ROBERT HOWARD RUSSELL

FLYING KITES

A blustering windy day's just right
 For boys who want to fly a kite;
 And it affords the greatest joy
 To make and use the pretty toy.
But Aged Duffers, do not try
 A large-sized paper kite to fly;
 You could not manage tail or string,
 And ten to one you'd spoil the thing.

BOATS ON THE LAKE

A morning full of happiness any boy may find
 By sailing boats upon the lake, if he is so inclined;
 The wind it drives them out to sea, he pulls them back, and then
 They jerk and struggle to be free—away they go again!
 They wibble-wobble as they sail, and sometimes they upset,—
 Of course he reaches out for them,—of course he gets quite wet.
But Aged Grandsires, if you must sail boats in Central Park,
 Play properly, don't splash yourself, and run back home ere dark.

AT CONEY ISLAND

See proud Belinda smartly dressed
 In all her flaunting Sunday best;
 With muslin hat and ruffles big
 She cannot comfortably dig.
Ask her if she would like to play,—
 She will not answer either way;
 She'll only shake herself, and then,
 Just pout and grin and pout again.
Dear Grandams, meekly learn from this,
 How very ill-advised it is
 To don a costume fine and grand
 When you go playing in the sand.
Instead of your bespangled net,
 Or moire velvet edged with jet,
 Just wear a gingham, simply made,
 So you can tuck it up and wade.

IN CENTRAL PARK

In Central Park, along the Mall,
 We see the gay goat-carriage crawl;
 With little boys and girls inside,
 Enjoying their exciting ride.
Right willingly each nimble steed
 Exerts his very utmost speed;
 And o'er the smooth hard road they race
 At something like a turtle's pace.
But stout old men and portly dames,
 Pray, do not urge your rightful claims;
 And even though you have the price,
 Listen, I beg, to my advice.
Do not insist on getting in
 The little carriage for a spin;
 You'd not look picturesque at all
 Careering up and down the Mall.

THE FIRST OF APRIL

'Tis taught by philosophic schools
 The human race is mostly fools.
 And once a year you see this truth
 Ably set forth by jocund youth,
 Who broach the tenets of the creed
 Plainly that he who runs may read.
But Aged Idiots, 'tis not meet
 For you to run along the street,
 And with a manner bold and sly
 Pin tags on ladies passing by,
 Or sit upon the curb and look
 For fools to snatch your pocket-book.

PLEBEIAN

Lucinda's tastes are so depraved;
 She likes to play and romp
 With children poor and ill-behaved,
 Who boast no style or pomp.
Their costumes are not quite correct,
 They have no pretty tricks;
 Lucinda! pray be more select,
 In higher circles mix.

PATRICIAN

Ah, sweet Lucinda, best of girls,
 How quick to take advice.
 Behold her with unpapered curls,
 And frock so rich and nice!
Her haughty stare! Who would suppose
 That dress would change her so
 Oh, blessed influence of fine clothes,
 How much to thee we owe!

QUARRELSOMENESS

Dear lady-readers of whatever age,
 Look backward and with me enjoy this page.
 What happy moments have we often spent
 Thus to our frenzied anger giving vent.
 Ah, me, the long-lost joys of being young!
 To make up faces, and stick out one's tongue;
 How those occasions of Xantippish strife
 Gave zip and zest to our dull childish life.

THE ETERNAL FEMININE

Ah, truly, as the tree is bent the tiny twig's inclined,
 And in the very littlest girls we see
 The contradictious tendencies of woman's wayward mind
 Developed to a marvellous degree.
 For each small daughter of her mother
 Will say one thing and do the other.
For instance, when some little girls just hate to go to school
 And beg that they may stay at home and play;
 And then, permission given, these same children, as a rule,
 Delight in playing school the livelong day!
 Ah, no wonder poets feature
 Woman as a captious creature.

WISTFULNESS

Baby and Sis and me
 Stand by the fence and see
 Picnickers munch
 Lots o' good lunch,
 Jes' givin' nothin' to we.
Baby and Sis and me,
 Hungry as we can be,
 Haven't no right
 To be 'spectin' a bite,—
 But we're glad lookin' is free.

KINDNESS TO ANIMALS

The Bison, though he seems so grim,
 Is very sensitive;
 And when the children stare at him,
 He wants to cease to live.
He hears them wonder why he's there,
 And why he can't break through;
 And why he has such funny hair,
 And why he doesn't moo.
At this, the suffering Buffalo
 Can scarce restrain to weep;
 Their caustic comments hurt him so,—
 They haunt him in his sleep.
But, Grown-Up people, let me pray
 You'll not behave like this;
 The Bison pet,—and, when you may,
 Give him a friendly kiss.

A COLD DAY

In winter time when ice and sleet
 Make slidy places on the street,
 The children early leave their beds
 And rush out with their skates and sleds.
All merrily the little dears
 Throw snowballs in each other's ears;
 And thus with pretty playful ways
 Beguile the white and wintry days.
Oh, Venerable Veterans,
 I hate to disarrange your plans;
 But truly, if you try this game
 You will go home all stiff and lame.

SKATES

A blithesome boy this picture shows;
 He has a true Mercurian pose,
 Like winged heels his roller-skates
 Send him fast-flying past his mates.
 When one is young, 'tis very nice
 To skate on rollers or on ice.
But Ancient Gaffers, do not try
 With active boys like this to vie.
 For if you get a skate on, you
 Acquire a rolling gait, 'tis true.
 But soon this proverb you'll endorse,—
 A rolling gait gathers remorse.

THE EXCURSION BOAT

Into the boat the breeze blows fair,
 It blows across the deck;
 It blows the little children's hair,—
 They get it in the neck.
And in this picture you may see
 The happy girls and boys,
 So true to life,—but thankful be
 You cannot hear the noise.
The great steam-whistle's fearful squeaks.
 The band, ill-tuned and loud;
 The babies with their screams and shrieks,
 The bustle of the crowd.
Grown People, you'd prefer, afloat,
 A private yacht, I'm sure;
 Then shun the gay excursion boat
 Unless you're very poor.

EVOLUTIONARY FAME

These merry children, I'll be bound
 In careless pleasure ride around;
 Unthinking as they onward go,
 What pedigree their horses show.
But, Graybeard, you learned when a boy
 About the Wooden Horse of Troy;
 And you assume these steeds to be
 The Trojan Sire's posterity.
Well, there you're wrong! you have forgot.
 They're Flying Horses, are they not?
 And, scions of a noble name,
 From Pegasus descent they claim.
But, Graybeards, curb your mad desires
 To mount upon these whizzing flyers.
 For there's the very strongest chance
 You'd go home in an ambulance.

PIETY

With new, ill-fitting gloves,
 With frocks as white as snow,
 By two and two these little loves
 To First Communion go.
I watch them as they pass,—
 Somehow, I shrewdly guess
 Each child thinks little of her mass
 And much about her dress.
But you, dear Aged Saint,
 Whose eyeballs upward roll,
 I trust you have no worldly taint
 Upon your gentle soul.

WEALTH

Joe Munn who has a penny
 Has friends and friends a-many;
 They hang around him eagerly and offer him advice.
 Tim Lanigan states clearly
 That he loves taffy dearly
 And butterscotch is awful good and chocolates is nice.
Jane said, but no one heard her,
 "An orange would go furder,"
 While Billy Barlow's heart beat high inside his chubby shape.
 It needs no divination
 To see the application,—
 Until your purse is empty from your friends you can't escape.

THE SKIPPING-ROPE

This picture (as you can see, I hope)
 Shows a fat little maiden skipping rope.
 She can jump "highwater" and "pepper" too,
 But, fat old ladies, let me tell you,
 If you jump "highwater" you'll lose your breath,
 And to jump "pepper" might cause your death.

MUSIC'S MIGHT

On the East Side any day,
 When the street pianos play
 You can see the children dancing with
 a rhythmic whirl and sway.
All untaught their native grace,
 Joy in every grinning face,
 To the music they are gaily keeping
 perfect time and pace.
But, infirm and aged crones,
 Do not risk your ancient bones;
 Your old nerves would suffer sadly
 jarred and jolted by the stones.

A BALL GAME

There never was a place so bad
 But one redeeming trait it had.
Now Harlem is no good at all
 Save as a place for playing ball.
But there the boys will run and play
 Their favorite game 'most every day.
But, Reverend sir, 'twould foolish be
 To play, with your rheumatic knee.
And, Deacon, do not try, I beg,
 To play the game with your game leg.

THE RIVAL QUEENS

Now wasn't this ridiculous?
 Essie and Mamie had a fuss,
 And each declared she wouldn't play
 Unless she could be Queen of May.
"You think you're smart!" Miss Essie said,
 And Mamie sneered and tossed her head.
 And each one angrily declared
 There'd be no queen for all she cared!
Mamie was mad as she could be,
 And Essie pouted sulkily;
 With angry looks they onward stalked,
 While no one 'neath the May-bower walked.
Oh! social Queens, this lesson learn
 If for supremacy you yearn,
 And of your fitness there is doubt,
 See that your rival too's kept out.

LITTLE MOTHERS

The Little Mothers of the poor
 They lead a jolly life, I'm sure;
 For without being gray and old,
 They've all a mother's right to scold.
 As eagerly each day they meet
 To pass the gossip of the street,
 Her baby-cart, each states with pride,
 Is finest on the whole East side.
 And each, her small charge will declare
 The handsomest baby anywhere.
 Oh, Grown-up Mothers, learn to praise
 Your children and their pretty ways.

OTHER LITTLE MOTHERS

The Little Mothers of the rich
 Are really works of art,
 They are dressed up to such a pitch
 In frocks so fine and smart.
They do not have to take the charge
 Of baby boys or girls;
 No, they have dolls exceeding large
 With silky, flaxen curls.
Ah, Mothers in Society,
 Accept this reasoning sound;
 Dolls far less troublesome would be
 Than children bothering round.

FOURTH OF JULY

These boisterous boys, with bang and fizz,
 They make such noisy noise;
 But, then, perhaps the reason is,
 They are such boysy boys.
The girls as well,—from early morn
 They shoot and shoot and shoot;
 And on a trumpet or a horn
 They toot and toot and toot.
But you, whose locks are bleached by Time,
 (Or by the Chemist's aid),
 Heed my admonitory rhyme,
 Nor join the gay parade.

THANKSGIVING-DAY

When Autumn brings around the day
 Devoted to thanksgiving,
 The children scream with laughter gay
 For very joy of living.
And every sort of escapade
 Receives their commendation;
 But all agree a masquerade
 Is best for celebration.
The boys and girls all swarm around
 The crowd is hourly growing;
 Straw hatted and grotesquely gowned,—
 With tin horns loudly blowing.
But dear old dames with snowy puffs,
 Tulle caps and Mechlin laces,
 Don't scramble out and join the toughs
 In boys' clothes and false faces.

ICE-CREAM

To Bob and Sue, who have ice-cream,
 Life is a glowing, halcyon dream,
 While Tom stands empty by;
 And says, "Gee! fellers, ain't it prime?
 Say, I had ice-cream too, one time,
 And it was great! Oh, my!"
Ah, beaux and belles at rout or ball,
 Does ice-cream on your palate pall?
 Is it to you no treat?
 You never ate it from the can,
 Come, patronize the Ice-Cream Man,
 Come down to Mulberry Street!
 





End of the Project Gutenberg EBook of Children of Our Town, by Carolyn Wells

*** END OF THIS PROJECT GUTENBERG EBOOK CHILDREN OF OUR TOWN ***

***** This file should be named 26431-h.htm or 26431-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/6/4/3/26431/

Produced by Jason Isbell, Christine D. and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.